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・ They Call It Murder
・ They Call It Pro Football
・ They Call It Sin
・ They Call It Summer
・ They Call Me Baba Booey
・ They Call Me Bruce?
・ They Call Me Cadillac
・ They Call Me Carpenter
・ They Call Me Macho Woman!
・ They Call Me Mister Tibbs!
・ They Call Me Mr. Kane
・ They Call Me Mr. Melody
・ They Call Me Renegade
・ They Call Me Trinity
・ They Call the Wind Maria
They Call Us Misfits
・ They Called Her Babylon
・ They Called Me the Catch Me Killer
・ They Came Back
・ They Came by Night
・ They Came for Good
・ They Came from Beyond Space
・ They Came from Outer Space
・ They Came from Somewhere Else
・ They Came from the Sea
・ They Came from the Shadows
・ They Came from the Sun
・ They Came on Viking Ships
・ They Came to a City
・ They Came to Baghdad


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They Call Us Misfits : ウィキペディア英語版
They Call Us Misfits

''They Call Us Misfits'' ((スウェーデン語:Dom kallar oss mods)) is a 1968 Swedish documentary film directed, produced and written by Stefan Jarl and Jan Lindqvist. The film is an uncompromising account of the life of two alienated teenagers, Kenneth "Kenta" Gustafsson (1948–2003) and Gustav "Stoffe" Svensson (1950–1978). The film, like its successor ''Ett anständigt liv'' (1979; ''A Respectable Life'') takes a close but non-moralizing look at the joys and growing pains of mod and "junkie" street culture in Stockholm at the time.
==Synopsis==
The film begins with an interview with Tompa, a friend of Kenta and Stoffe. He tells how he grew up in orphanages and juvenile prisons. He says that freedom hardly exists for him, but one thing is he sure of is that the time he spent with Kenta and Stoffe and the other mods was the most enjoyable time of his life. The interview cuts to Kenta and Stoffe running through the streets of Stockholm filmed with a fisheye lens. Later we see them walking around at the subway station T-Centralen in Stockholm. They meet friends and go around begging people for food, beer and cigarettes. The workers who are passing by get ridiculed by Kenta and Stoffe.
Another friend of the guys, Jojje, talks about how alcohol will destroy them in time, but that he doesn't worry much about it right now. The filmmakers have fixed a small apartment for Kenta and Stoffe which is a big difference for the guys who previously slept outdoors or in the apartments of others. Kenta and Stoffe talk about their childhood. Stoffe's father drank himself broke and died in hospital. Kenta's father tried to strangle him with a tie. Stoffe also remembers that he thought it was fun to play at home when he was little. We see the two guys go to "4:an", a club for young people. Stoffe likes to be with many girls, but tells Eva, who he sleeps with, that he wants her for himself. Kenta and Stoffe make a musical performance, where they play a song by The Zombies.
It is now winter and a trip to Hedemora in Dalarna is taken accompanied by Hasse. They plan to visit Stoffe's childhood friend Ingmar. On the train they drink beer, smoke pot and make jokes. The mood is high. But they can't stay in Hedemora, the difference from Stockholm is too big, because Stoffe thinks nothing happens in Hedemora.
In Stockholm there is Peter, who earns 400 kronor a day by selling drugs, and Lunkan, who got hepatitis from an infected hypodermic syringe. It's summer and Kenta and Stoffe are not working and have nowhere to live. Their friendship is being worn down. Kenta doesn't think Stoffe is a good friend anymore since he started seeing Eva. One night the guys go searching for empty stairwells to stay in, but they start arguing and Stoffe leaves. Kenta finds an empty stairwell and lays himself down, opens up a beer and starts reading a cartoon magazine. The same night Stoffe gets taken care of by the police.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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